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And drive I actually need. The subtle accumulation is a lot better than trying to tune individual channels to sound good.I still really love Satson and Britson though, I have developed a trust in those 2. Quote: Originally Posted by smoke ➡️ I have been warming up to NLS lately again. The workflow is actually excellent and really fun in the box. I think now that my 'listening' and taste has gotten better, I am better at determining how much input and drive I actually need. The subtle accumulation is a lot better than trying to tune individual channels to sound good.I still really love Satson and Britson though, I have developed a trust in those 2. i just bit the 29.00 bullet !!! i was more curious to try it without a demo limitation .. thx for your input !!! Lives for gear Joined: Nov 2007 🎧 15 years One comment/question:I just purchased the NLS, never believed I will, but price (~€20) was too lucrative to pass, after reading some very positive user comments. After reading the manual and watching all the available tutorials/presentations in the Yotube, I wonder why NONE of the presentations have tested in practice the results of the option using different buss groups and variation of different channel modellings. I guess the sonic differencies of different channels and groups of the SAME desk are rather subtle, but why model those if none use that option?Your user experience of that? How often you use different groups just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. Lives for gear Joined: Jul 2014 🎧 10 years Started using this again after moving to a more powerful computer a while back. Nothing else really smooths out and pumps up stuff like this does and I've tried pretty much every saturator out there. One of these days I'll havta get Phoenix as I think it will play better in this workflow possibly. I was able to put Satin back into my workflow and using the RPA800 456 preset with the In cranked to around 8 db made it even better. Also added Tapedesk with the N-80 on with variations of the vocal warmer preset. Note that this is an 88/96k workflow with Airwindows Console4 in Pro Tools. Quote: Originally Posted by Harry_O ➡️ One comment/question:I just purchased the NLS, never believed I will, but price (~€20) was too lucrative to pass, after reading some very positive user comments. After reading the manual and watching all the available tutorials/presentations in the Yotube, I wonder why NONE of the presentations have tested in practice the results of the option using different buss groups and variation of different channel modellings. I guess the sonic differencies of different channels and groups of the SAME desk are rather subtle, but why model those if none use that option?Your user experience of that? How often you use different groups A puff piece. This goes through the gears through to outright lying (eg "weapons of mass destruction").Pretty much all journalism is manipulation. It doesn't even matter if they state they are impartial, eg the bbc. What they want us peoples trust, the reality (ie true impartiality, awareness of one's biases) is secondary. It's definitely pretty tricky to try and even come up with statistics.ublock was having issues early on, that required a laundry list of things to do to make sure youtube couldn't detect that something was up. I don't know if this has changed or not.So rather than troubleshoot, what I did was turn it off on yotube, and install which isn't 100% perfect like the original ublock experience, but has been very durable against google's efforts. That said, fadblock seems to be considering a transition to some sort of paid model eventually, not sure what's going on with that.Google may or may not believe they were successful in my case, depending on what they are looking for. In my experience, this is a company trading decades of goodwill for a quarterly boost. Usually doesn't end well in the long run. > Does anyone write articles that aren't just to serve a pre-existing bias anymore?Yes, National Geographic Magazine. With linear video, there's a hard limit to what user-loyal ad-blocking can achieve with casual in-the-moment browsing: Google can ensure the ad's clock-time duration occurs, before they serve the main video. So, even if you're hiding the video, you're still punished

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Modelled more than one instance per desk?. That question rose when I watched the tutorials and other presentations, no of those used more than one channel and one group, loosing part of the idea modelling a desk (or 3 desks in this case). Gear Head Joined: Jun 2002 Posts: 67 🎧 20 years Quote: Originally Posted by Harry_O ➡️ One comment/question:I just purchased the NLS, never believed I will, but price (~€20) was too lucrative to pass, after reading some very positive user comments. After reading the manual and watching all the available tutorials/presentations in the Yotube, I wonder why NONE of the presentations have tested in practice the results of the option using different buss groups and variation of different channel modellings. I guess the sonic differencies of different channels and groups of the SAME desk are rather subtle, but why model those if none use that option?Your user experience of that? How often you use different groups just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. Some of the channels can be quite different, but it really depends on the console. The "Mike" console has the most differences from channel to channel. For example, as memory serves I think somewhere around 11 or 12 you get a big bass bump. The "Spike" console channel to channel differences are not nearly as much as "Mike". "Nevo" is most consistent from channel to channel.Dave. There are a few online tools, programs, and browser extensions that make this handle easier and faster. Here’s a breakdown of some of the most effective ways to modify Yotube To Wav files 1. Online Yotube To Wav converter Online Yotube To Wav converter is the fastest and easiest way to download high quality audio from YouTube.

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Super Mario Bros) with Pizza Boy in the Don't Make A Sound.Pizza Boy's brother appearance.BOB and bobBOB and bob are 2 characters created by McPig before Pizza Tower. BOB is the red one and bob is the blue one. Both Bobs have appeared in various things made by McPig, such as Bring Your Own Class, 2 animations, concepts for their own game, and making a few cameos in Pizza Tower in the level John Gutter and The Vigilante's boss fight.BOB and bob Manuel.Old concept art for their own game.BOB cutoutbob in John Gutterbob cutoutMore concept art.Screenshot from the animation "Dragonbouke" found on McPig's YoTube channel.Another screenshot from a credits sequence. The animation can be found on the Pizza Tower Twitter account.BOB in Bring Your Own Class.bob in Bring Your Own Class.BOB and bob's heads on table from art by McPig from the Pizza Tower Twitter Account from 2023Gustavo's Swap Mode ActorLittle to no information is known about this character, as unlike Maurice, this character hasn't been fleshed out. They are only seen once and that is at the end of Swap Mode.Gustavo's swap mode actor as seen onstage next to Peddito and Pizzahead in the end card in Swap Mode.TriviaMr. Orange was originally planned to be a co-op character for Peppino, having Noise's old moveset and some of Peppino's moves. That, however, was left as an idea and likely won't be used.Mr. Orange's name is based on Mr. Green from Yo! Noid, similar to how the Noise is based on the Noid.Mr. Orange was originally named Kenneth, referencing the mentally ill Kenneth Lamar Noid who held a Chamblee, Georgia's Domino's hostage after thinking they named the Noid after him. McPig quickly renamed him after learning that there was more to it than just a hostage situation, realizing the name was very insensitive of him.It was considered to just call him Ken, but that also got changed due to the reference still being too apparent despite the name being shortened.Another early name for Mr. Orange was Scott, as a reference to one of the presidents of Domino's Pizza, most infamously known for his appearance in the Hatsune Miku Domino's App promotion; however, this name was quickly dropped in favor of Mr. Orange shortly after.Dr. Bad Breakfast's arcade machine in Don't Make A Sound is a reference to the puzzle game "Dr. Robotnik's Mean Bean Machine", which is a reskin of the Genesis port of Puyo Puyo, an arcade puzzle game.Characters in Pizza TowerMain CharactersSecondary CharactersLevel AssetsMinor CharactersUnused & Easter Egg CharactersEnemiesEnemies in Pizza TowerTower LobbyWestern DistrictVacation ResortSlumStaff OnlyBossesSecretUnusedEnemiesBossesEvents Just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. I have noticed that. Most of the demos and tutorials seem to take it as an entire desk.It does not mean you have to do it that way Spike may be good on the drums, but Nevo might be better on musicDon't forget to use the buss Lives for gear Joined: May 2012 Posts: 1,334 🎧 10 years Quote: Originally Posted by Harry_O ➡️ One comment/question:I just purchased the NLS, never believed I will, but price (~€20) was too lucrative to pass, after reading some very positive user comments. After reading the manual and watching all the available tutorials/presentations in the Yotube, I wonder why NONE of the presentations have tested in practice the results of the option using different buss groups and variation of different channel modellings. I guess the sonic differencies of different channels and groups of the SAME desk are rather subtle, but why model those if none use that option?Your user experience of that? How often you use different groups just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. I think most NLS users fall into one of two camps: people who use it to emulate the sound of highly revered consoles, and people who use it as an overt distortion unit.In the case of using it as a console emulation, it makes sense to stick with one desk, as this would be "truer" to the original sound and would more accurately recreate the tonality and character of that particular desk. This is, of course, theoretical — in practice, you might find that you like the sound of using the SSL across your drums, the EMI across your synths, and the Neve on the stereo bus.Personally, I'm not 100% sold on software emulations as a means to recreate the sound of an analog console. I had an album mixed on an SSL 4000E, and that sound is quite difficult to replicate ITB. Not impossible, of course, but no small feat by any means. Console emulations will help get you closer, but they're just one piece of the puzzle. I often end up using just a few instances of VCC to soften up harsh guitars and one instance on the stereo bus to give life to the overal mix. But I also know people who use NLS, VCC, Satson, etc. across every track, and their mixes definitely sound fantastic. Whatever works! Lives for gear Joined: Nov 2007 🎧 15 years Quote: Originally Posted by tkaitkai ➡️ I think most NLS users fall into one of two camps: people who use it to emulate the sound of highly revered consoles, and people who use it as an overt distortion unit.In the case of using it as a console emulation, it makes sense to stick with

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One desk, as this would be "truer" to the original sound and would more accurately recreate the tonality and character of that particular desk. This is, of course, theoretical — in practice, you might find that you like the sound of using the SSL across your drums, the EMI across your synths, and the Neve on the stereo bus.Personally, I'm not 100% sold on software emulations as a means to recreate the sound of an analog console. I had an album mixed on an SSL 4000E, and that sound is quite difficult to replicate ITB. Not impossible, of course, but no small feat by any means. Console emulations will help get you closer, but they're just one piece of the puzzle. I often end up using just a few instances of VCC to soften up harsh guitars and one instance on the stereo bus to give life to the overal mix. But I also know people who use NLS, VCC, Satson, etc. across every track, and their mixes definitely sound fantastic. Whatever works! You may be right. But my point was more, why not use (if this is the case, as all the presentations hint) the variety of all the modelled channels and groups INSIDE ONE SAME DESK TYPE? Quote: Originally Posted by Harry_O ➡️ You may be right. But my point was more, why not use (if this is the case, as all the presentations hint) the variety of all the modelled channels and groups INSIDE ONE SAME DESK TYPE? i watched a video yesterday that did exactly that .. mix and match and it was pretty cool !! i will post back if i find that link again.. Quote: Originally Posted by Harry_O ➡️ One comment/question:I just purchased the NLS, never believed I will, but price (~€20) was too lucrative to pass, after reading some very positive user comments. After reading the manual and watching all the available tutorials/presentations in the Yotube, I wonder why NONE of the presentations have tested in practice the results of the option using different buss groups and variation of different channel modellings. I guess the sonic differencies of different channels and groups of the SAME desk are rather subtle, but why model those if none use that option?Your user experience of that? How often you use different groups just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. The differences between channels range from very subtle to "you can't miss it". I've checked. It really is a noteworthy feature of the plugin. Bring up a track (drums are great for this) and cycle through the 32 channels for that desk. If you have a pulse, it will be obvious. Quote: Originally Posted by Deleted User ➡️ The differences between channels range from very subtle to "you can't miss it". I've checked. It really is a noteworthy feature of the plugin. Bring up a track (drums are

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El evento de artes marciales mixtas regresará este viernes 9 de febrero con más fuerza que el año anterior, mejores peleas y mayor espectáculoEl youtuber Jordi Wild vuelve con la segunda edición de su evento Dogfight Wild Tournament (DWT) de artes marciales mixtas (MMA) un año después, pero de una forma más violenta, más espectacular y con mejores peleadores. David Suárez hará su célebre roast, al igual que el año anterior, y la banda Angelus Apatrida de thrash metal amenizará el evento.Los combates se celebrarán en el Tarraco Arena, un recinto multiusos ubicado en el centro de Tarragona con un aforo para 10.800 personas. Habrá muchas modalidades distintas de combates, MMA, Bare Knuckle femenino, Muerte Súbita, Last Survivor, 3vs1, Doble Impacto y No Rules. El evento empezará a las 19:00 del viernes, hora peninsular, pero el día anterior se podrán ver los cara a cara de los luchadores. Los combates y las modalidades serán las siguientes:Muerte súbitaAitor Gaps Gaspar vs. Zdravko Tarnadzhiev. Esta pelea ya se dio el año pasado, pero una lesión de Zdravko en medio de la misma evitó que se diese de la mejor manera posible. Jordi Wild anunció la revancha en la siguiente edición y se repetirá este año en el formato de muerte súbita.Doble ImpactoChiky El habilidoso Arroyo y Bogdan Vasilache vs. Alberto Rondán y Nicolás Martínez. Este combate será un duelo 2 vs 2 y se enfrentarán dos peleadores de MMA, uno de 1,72 cm (Arroyo) y otro de 1.91 cm (Vasilache), contra un boxeador (Rondán) y un especialista de jiu-jitsu brasileño (Martínez), ambos de 1,85 cm de altura.Bare Knuckle femeninoVictoria La Furia Albons vs. Yamilia Sukhi Sánchez. Se enfrentarán en un combate de boxeo sin guantes (bare knuckle), «La Furia» es boxeadora y «Sukhi» hace Muay Thai.No rulesFranco El rey de la calle Tenaglia vs. Sufiane Bahri. Franco Tenaglia repite en el evento, enfrentándose esta vez a un antiguo conocido suyo con el que tuvo algún problema en el pasado y con el que se ha tirado beef en entrevistas previas al combate. La pelea será sin reglas. No habrá tiempo y terminará cuando uno de los dos se rinda o quede K.O.Franco Tenaglia vs Edye Ruiz | Fuente: DWT Yotube" data-medium-file=" data-large-file=" src=" alt="Dogfight" width="640" height="480" srcset=" 640w, 300w, 150w" sizes="(max-width: 640px) 100vw, 640px">Franco Tenaglia vs Edye Ruiz | Fuente: DWT YouTubeLast SurvivorNacho El dragón de la Encima vs. Juan The Wuan Marín vs. Mohamed Elsicario Benchriff vs. Rodrigo El elegante Peñarubia vs. Tomás Tortuga Luján vs. César Alonso.César Alonso, quien ya vimos en el primer evento enfrentarse contra dos personas él solo, se enfrentará esta vez contra cinco, en la modalidad de Last Survivor. Uno de los cinco rivales que tiene es Tomás «Tortuga» Luján, a quien ya ganó y noqueó en la anterior edición.3 vs 1Eduardo Riego vs Manuel Morales, Karim el Hamzaouy y Tomás Cantó. Riego, con 1,91 cm de altura y 99 kg de peso, experto en artes marciales mixtas, se enfrentará a dos boxeadores de 1,74 cm. There are a few online tools, programs, and browser extensions that make this handle easier and faster. Here’s a breakdown of some of the most effective ways to modify Yotube To Wav files 1. Online Yotube To Wav converter Online Yotube To Wav converter is the fastest and easiest way to download high quality audio from YouTube.

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