Vinylizer

Author: c | 2025-04-24

★★★★☆ (4.2 / 3574 reviews)

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Some kind of trap beat or hip hop like crazy rap type beat something like that I used Ableton 12. Comment your stuff if you use this! 8th Jul 2024 10:09 - 8 months ago 178 2673 0 8th Jul 2024 10:09 - 8 months ago Search Rating : 2.27 Description : brazil funk type beat. 130 bpm 8th Jul 2024 10:08 - 8 months ago 119 1652 0 8th Jul 2024 10:08 - 8 months ago Search Rating : 2.27 Description : brazil funk type beat 140 bpmmc daniel type beat 4th Jun 2024 08:27 - 9 months ago 12 185 0 4th Jun 2024 08:27 - 9 months ago Search Rating : 2.27 Description : GET THE MIDI by clicking the link in my ABOUT ME sectionkevin gates guitar type beat looprod wave guitar type beat loopomb peezy guitar type beat loop 2nd Apr 2024 11:05 - 11 months ago 10 324 0 2nd Apr 2024 11:05 - 11 months ago Search Rating : 2.27 Description : this beat has kindly been certified by the secret government beat tag for supetrap 19th Oct 2023 16:25 - 1 year ago 25 2849 2 19th Oct 2023 16:25 - 1 year ago Search Rating : 2.27 Description : A beat for you to enjoy, I'm even making a song with it, enjoy.And if you want the beat without the kick, call me on Instagram (marc0s_wxlk). 11th Sep 2023 08:44 - 1 year ago 9 674 0 11th Sep 2023 08:44 - 1 year ago Search Rating : 2.27 Description : Sampled MC505 beat through the SP606 sampler with the vinylizer turned on then added tape saturation to make it sound real old and dusty. This one has the tape setting turned up a lot to sound like a four-track beat. Recorded in Audacity. Tested in Reason.

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🎹 Introducing NEXUS5: The Ultimate Super Synthesizer 🎶Unlock limitless creativity with NEXUS5, the synthesizer that does it all! Whether you’re crafting new beats or revisiting old projects, NEXUS5 is packed with cutting-edge features and designed for all levels of producers. 🌟🎧 Unmatched Sampling PowerSeamlessly import single samples, multi-samples, or entire libraries. With automatic slicing and looping, the workflow has never been easier. 🚀🌀 8 Advanced OscillatorsExperience endless possibilities with innovative synthesis options like Virtual Analog, Sampler, Wavetable, Time Stretcher, Retro Sampler, Grain, Cloud, and FM synthesis. Dive into unique sound design with full creative freedom! 🎶🌈 Studio-Grade EffectsAdd depth, character, and personality to your sounds with over 40 effects, including the exciting Bucket Brigade Delay, Particle Reverb, Vowel Filter, Rotary, and Pusher! ✨🔊 Total CompatibilityLoad all your existing NEXUS projects and libraries with ease! Whether you’re working on a new track or loading up old beats, NEXUS5 just works. 🎚️⚡ Fast, Resource-Efficient PerformanceExpect lightning-fast preset loading times and high-performance processing. Perfect for smooth workflows and intensive productions! 💨🆕 Massive New Factory ContentNEXUS5 comes with over 1,100 brand-new factory presets, taking your creations to new heights. Plus, all previous NEXUS content is included, totaling more than 5,300 presets across modern genres like EDM, Melodic Techno, Hip-Hop, Lo-fi, Retro Wave, Cyberpunk, Trance, and more! 🌍🎧🎨 Open Architecture for Infinite CreativityLoad your samples, edit with the built-in sample editor, slice, loop, crossfade, or jump straight into thousands of presets—modify them to your unique style. The only limit is your imagination! 💡🎮 Retro Skin for a Nostalgic FeelRevisit the golden days of NEXUS2 with the Retro Skin, faithfully recreating the classic interface. Perfect for those who love the charm of familiar designs while enjoying modern enhancements! 🕹️✨🔥 What’s New in Version 5.1.0Revamped, sleek interface with a retro touch!New effects: Particle, Vowel Filter, Vinylizer, RotaryNew generators: Retro, Grain, Cloud, and FMSeamless sample importing and editing for ultimate flexibility. 🎛️NEXUS5 is the future of sound creation—combining power, precision, and ease of use in one package. Get ready to redefine your sound. 🎶🚀

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Sesion: verb, ping-pong delay, Dimension D. Below the lead vocal bus is the print track of a Bricasti outboard.”Wuepper: “There are two tracks called ‘Bric’ around the main vocal bus; the one above is the print from the Bricasti effect that was used on the percussion, and the one below is the print of the Bricasti reverb on the vocal. Next are Josh’s vocal delays. Putting delays on audio snippets [ie. copying short vocal clips to new tracks and applying delays as inserts, rather than automating a send from the main vocal track] is a pretty interesting way of doing things. I’ve not seen anyone else do this, but it makes it easier for Josh to manipulate these delays and to go deeper into the effect. He can really fine tune the delay times and decay lengths and so on. Sometimes the feedback you get with plug-ins can act a little weird, and this approach allows him to have more control.”Gudwin: “The five green tracks are all vocal throws and delays. I don’t like to automate delay throws via aux tracks. The top green track is the master track for the delays, ‘JB Throw All’, and it has a compressor and an SPL Vitalizer. The ‘1147’ delay track has the UAD Cooper Time Cube, with a quick ping-pong-y flutter delay that I use to widen, and the track called ‘1167’ has a basic eighth-note delay from the Echo Boy. The ‘A’ insert is Auto-Tune, but it’s not working on these tracks. When needed, our vocal tuning is normally done by Chris ‘Tek’ O’Ryan in Melodyne. I sometimes do it myself, if I have the time do it, in the stand-alone version.“The blue vocal tracks below the vocal delay tracks are the main lead vocal comp tracks, and on many of them I have the UAD SSL Channel Strip, UAD LA-2A, and the Waves C6 multiband compressor, and sometimes also the Pro-Q 2 EQ. The ‘DLYP’ track has a delay pan effect, with the SoundToys Primal Tap delay and Panman auto-panner, SSL Channel Strip and the P&M Vinylizer. ‘White’ and ‘Master’ are printed reverbs recorded in two rooms at Henson. They are my main plug-in vocal reverbs, and the green tracks below are pitched with the Elastic Audio X-Form [in Pro Tools] and effected with the Waves H-Compressor for a pumping effect. I pitched the reverbs up an octave or two, and I mixed them in very low. The ‘PCM’ and ‘PC1’ tracks are prints from ping-pong delays from the Lexicon PCM42 outboard.“Justin’s backing vocal tracks all go to the group track called ‘JBG1’, on which I have a Waves De-esser, an SSL Channel and the C6 multiband compressor, plus there are a number of delays and reverbs via the sends. Trevon’s backing vocals all go to ‘JBTR’, which has similar effects. I wanted to fill the song up a bit more, and sometimes it’s not the most enjoyable process for an artist to sing all these background parts. Plus a

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Comments

User8828

Some kind of trap beat or hip hop like crazy rap type beat something like that I used Ableton 12. Comment your stuff if you use this! 8th Jul 2024 10:09 - 8 months ago 178 2673 0 8th Jul 2024 10:09 - 8 months ago Search Rating : 2.27 Description : brazil funk type beat. 130 bpm 8th Jul 2024 10:08 - 8 months ago 119 1652 0 8th Jul 2024 10:08 - 8 months ago Search Rating : 2.27 Description : brazil funk type beat 140 bpmmc daniel type beat 4th Jun 2024 08:27 - 9 months ago 12 185 0 4th Jun 2024 08:27 - 9 months ago Search Rating : 2.27 Description : GET THE MIDI by clicking the link in my ABOUT ME sectionkevin gates guitar type beat looprod wave guitar type beat loopomb peezy guitar type beat loop 2nd Apr 2024 11:05 - 11 months ago 10 324 0 2nd Apr 2024 11:05 - 11 months ago Search Rating : 2.27 Description : this beat has kindly been certified by the secret government beat tag for supetrap 19th Oct 2023 16:25 - 1 year ago 25 2849 2 19th Oct 2023 16:25 - 1 year ago Search Rating : 2.27 Description : A beat for you to enjoy, I'm even making a song with it, enjoy.And if you want the beat without the kick, call me on Instagram (marc0s_wxlk). 11th Sep 2023 08:44 - 1 year ago 9 674 0 11th Sep 2023 08:44 - 1 year ago Search Rating : 2.27 Description : Sampled MC505 beat through the SP606 sampler with the vinylizer turned on then added tape saturation to make it sound real old and dusty. This one has the tape setting turned up a lot to sound like a four-track beat. Recorded in Audacity. Tested in Reason.

2025-04-17
User1203

🎹 Introducing NEXUS5: The Ultimate Super Synthesizer 🎶Unlock limitless creativity with NEXUS5, the synthesizer that does it all! Whether you’re crafting new beats or revisiting old projects, NEXUS5 is packed with cutting-edge features and designed for all levels of producers. 🌟🎧 Unmatched Sampling PowerSeamlessly import single samples, multi-samples, or entire libraries. With automatic slicing and looping, the workflow has never been easier. 🚀🌀 8 Advanced OscillatorsExperience endless possibilities with innovative synthesis options like Virtual Analog, Sampler, Wavetable, Time Stretcher, Retro Sampler, Grain, Cloud, and FM synthesis. Dive into unique sound design with full creative freedom! 🎶🌈 Studio-Grade EffectsAdd depth, character, and personality to your sounds with over 40 effects, including the exciting Bucket Brigade Delay, Particle Reverb, Vowel Filter, Rotary, and Pusher! ✨🔊 Total CompatibilityLoad all your existing NEXUS projects and libraries with ease! Whether you’re working on a new track or loading up old beats, NEXUS5 just works. 🎚️⚡ Fast, Resource-Efficient PerformanceExpect lightning-fast preset loading times and high-performance processing. Perfect for smooth workflows and intensive productions! 💨🆕 Massive New Factory ContentNEXUS5 comes with over 1,100 brand-new factory presets, taking your creations to new heights. Plus, all previous NEXUS content is included, totaling more than 5,300 presets across modern genres like EDM, Melodic Techno, Hip-Hop, Lo-fi, Retro Wave, Cyberpunk, Trance, and more! 🌍🎧🎨 Open Architecture for Infinite CreativityLoad your samples, edit with the built-in sample editor, slice, loop, crossfade, or jump straight into thousands of presets—modify them to your unique style. The only limit is your imagination! 💡🎮 Retro Skin for a Nostalgic FeelRevisit the golden days of NEXUS2 with the Retro Skin, faithfully recreating the classic interface. Perfect for those who love the charm of familiar designs while enjoying modern enhancements! 🕹️✨🔥 What’s New in Version 5.1.0Revamped, sleek interface with a retro touch!New effects: Particle, Vowel Filter, Vinylizer, RotaryNew generators: Retro, Grain, Cloud, and FMSeamless sample importing and editing for ultimate flexibility. 🎛️NEXUS5 is the future of sound creation—combining power, precision, and ease of use in one package. Get ready to redefine your sound. 🎶🚀

2025-03-29
User5112

Sesion: verb, ping-pong delay, Dimension D. Below the lead vocal bus is the print track of a Bricasti outboard.”Wuepper: “There are two tracks called ‘Bric’ around the main vocal bus; the one above is the print from the Bricasti effect that was used on the percussion, and the one below is the print of the Bricasti reverb on the vocal. Next are Josh’s vocal delays. Putting delays on audio snippets [ie. copying short vocal clips to new tracks and applying delays as inserts, rather than automating a send from the main vocal track] is a pretty interesting way of doing things. I’ve not seen anyone else do this, but it makes it easier for Josh to manipulate these delays and to go deeper into the effect. He can really fine tune the delay times and decay lengths and so on. Sometimes the feedback you get with plug-ins can act a little weird, and this approach allows him to have more control.”Gudwin: “The five green tracks are all vocal throws and delays. I don’t like to automate delay throws via aux tracks. The top green track is the master track for the delays, ‘JB Throw All’, and it has a compressor and an SPL Vitalizer. The ‘1147’ delay track has the UAD Cooper Time Cube, with a quick ping-pong-y flutter delay that I use to widen, and the track called ‘1167’ has a basic eighth-note delay from the Echo Boy. The ‘A’ insert is Auto-Tune, but it’s not working on these tracks. When needed, our vocal tuning is normally done by Chris ‘Tek’ O’Ryan in Melodyne. I sometimes do it myself, if I have the time do it, in the stand-alone version.“The blue vocal tracks below the vocal delay tracks are the main lead vocal comp tracks, and on many of them I have the UAD SSL Channel Strip, UAD LA-2A, and the Waves C6 multiband compressor, and sometimes also the Pro-Q 2 EQ. The ‘DLYP’ track has a delay pan effect, with the SoundToys Primal Tap delay and Panman auto-panner, SSL Channel Strip and the P&M Vinylizer. ‘White’ and ‘Master’ are printed reverbs recorded in two rooms at Henson. They are my main plug-in vocal reverbs, and the green tracks below are pitched with the Elastic Audio X-Form [in Pro Tools] and effected with the Waves H-Compressor for a pumping effect. I pitched the reverbs up an octave or two, and I mixed them in very low. The ‘PCM’ and ‘PC1’ tracks are prints from ping-pong delays from the Lexicon PCM42 outboard.“Justin’s backing vocal tracks all go to the group track called ‘JBG1’, on which I have a Waves De-esser, an SSL Channel and the C6 multiband compressor, plus there are a number of delays and reverbs via the sends. Trevon’s backing vocals all go to ‘JBTR’, which has similar effects. I wanted to fill the song up a bit more, and sometimes it’s not the most enjoyable process for an artist to sing all these background parts. Plus a

2025-03-31

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