Opera scores

To pass the Acid3 test. The latest stable release, version 9.5, scores an 83/100, and a developmental build scores 100/100, although it still fails the performance aspect of the test.Other editions[]Aside from the main edition of Opera for personal computers, editions of Opera are available for a variety of devices. All are based on the same core,[45] but there is some variation in the features offered and the design of the user interface.Smartphones and PDAs[] File:Nokia6630.jpg Opera will run on smartphones such as this Nokia 6630. Main article: Opera MobileOpera Mobile is an edition of Opera designed for smartphones and personal digital assistants (PDAs). The first version of Opera Mobile was released in 2000 for the Psion Series 7 and netBook, with a port to the Windows Mobile platform coming in 2004.[46][47] Today, Opera Mobile is available for a variety of devices that run the Windows Mobile, S60, or UIQ operating systems.[48]Users may try Opera Mobile free for 30 days, but beyond that it costs US$24.[49] Devices that use the UIQ 3 operating system, such as the Sony Ericsson P990 and Motorola RIZR Z8, come pre-installed with Opera Mobile, the price of Opera Mobile being included in the price of the phone.[48]One of Opera Mobile's major features is the ability to dynamically reformat web pages to better fit the handheld's display using Small-Scale Rendering technology.[50] Alternatively, the user may use page zooming for a closer or broader look.[51] However, like previous versions of Opera for personal computers, Opera Mobile's user

About Me My name is Lee Steiner. I'm an freelance opera singer living near NYC and singing with the Met Opera extra chorus and as a chorister at St. John the Divine. I also work as a Project Coordinator for Technology in the Office of the President at Columbia University. I'm a new father of twin girls, husband to my wonderful wife Sandy of Dream Factory Coaching, have two dogs named Charlie and Ruby, and spend an increasing amount of time trying to mitigate the chaos that comes with being responsible for four creatures. One of my outlets is cataloging data, which brought me to this project!About the database Mission To create a comprehensive database of operas and arias. To catalog arias and create PDFs from Public Domain sources, for the purpose of broadening the opera singer's audition repertoire. To create a repository for operatic information, including libretti, scores, translations, and synopses. Copyright Information The Opera Database operates and hosts materials in the United States of America, and is subject to its copyright restrictions. All of the scores on this website are, to the best of my knowledge, in the public domain. Any excerpts from scores published after 1923 that are uploaded to this site have been licensed under a Creative Commons license. If you see a score that you do not believe to be in the public domain, please email me at lee@theoperadatabase.com Many of the scores you will find on this site are sourced from IMSLP. IMSLP provides these files to the public under a Creative Commons Attribution-ShareAlike 4.0 License, which allows for remixed and/or transformative works, such as the ones found here. Derivitives must be released under the same Creative Commons license as their parent works. You may use and freely redistribute the files found here with the same stipulation. Please give credit where it is due, and remember to be aware of the copyright laws in your country.

Without interference. Each has a different icon to help the user distinguish between the variants.[113]More information Desktop/mobile/laptop/tablet browser statistics ...Desktop/mobile/laptop/tablet browser statisticsGoogle Chrome66.32%Safari17.99%Edge5.31%Firefox2.62%Samsung Internet2.3%Opera2.09%Desktop, mobile, and tablet web browser market share according to Statcounter for February 2025[114]CloseIntegrationsIn 2005, Adobe Systems integrated Opera's rendering engine, Presto, into its Adobe Creative Suite applications. Opera technology was employed in Adobe GoLive, Adobe Photoshop, Adobe Dreamweaver, and other components of the Adobe Creative Suite.[115][116] Opera's layout engine is also found in Virtual Mechanics SiteSpinner Pro.[117] The Internet Channel is a version of the Opera 9 web browser for use on the Nintendo Wii created by Opera Software and Nintendo.[118] Opera Software is also implemented in the Nintendo DS Browser and Nintendo DSi Browser for Nintendo's handheld systems.Opera is the fifth most popular web-browser.[119][120] As of April 2021, Opera's offerings had over 320 million active users.[121]The Opera browser has been listed as a "tried and tested direct alternative to Chrome".[122] It scores close to Chrome on the HTML5test, which scores browsers' compatibility with different web standards.[120]Versions with the Presto layout engine have been positively reviewed,[123][124][125] although they have been criticized for website compatibility issues.[126][127] Because of this issue, Opera 8.01 and higher had included workarounds to help certain popular but problematic web sites display properly.[128][129]Versions with the Blink layout engine have been criticized by some users for missing features such as UI customization, and for abandoning Opera Software's own Presto layout engine.[130][131][132][133] Despite that, versions with the Blink layout engine have been noted for being fast and stable, for handling the latest web standards and for having a better website compatibility and a modern-style user interface.[134][135][136]Opera browser platform variants:Opera Mini: a browser for tablets and telephonesOpera Mobile: a browser for tablets and telephonesRelated other browsers:Otter Browser: an open-source browser that recreates some aspects of the classic OperaVivaldi: a freeware browser created by the former CEO of Opera Software and former Opera Software employeesRelated topics:History of the web browserList of pop-up blocking softwareList of web browsersTimeline of web browsers

May 2, 2023 Oslo, Norway – May 2nd, 2023 – Opera – the company behind the family of award-winning mobile browsers – is announcing the launch of its second edition of “Shake and Win” for Brazilian users. The campaign – which follows the success of Opera’s previous “Chacoalhe & Concorra” during Carnival – will reward Opera for Android and Opera Mini users with a chance to win over 60,000 Brazilian Reais in shopping vouchers. The new “Shake & Win” will kick off in Brazil on May 2nd and remain available until May 30th. “We are excited to announce that during our first edition of the “Shake & Win” campaign, Opera for Android became the most downloaded browser in Brazil, with hundreds of thousands of new users discovering Opera within one just month. With the new ‘Shake and Win’ campaign we hope to deepen our engagement throughout the country, and bring our users even more joy and excitement,” said Juliana Psaros, Head of Regional Marketing, LATAM.Once the contest is live, users will be able to participate through either the floating button located on the start page of their Opera for Android browser, or by simply tapping an in-app notification. Players have the chance to win a puzzle piece just by shaking their phones, and when they collect six unique pieces they will learn whether they have won a prize or not. Participants can shake their phones once a day, but they can earn more shakes – and increase their chances of winning – by inviting friends to join in the fun. Prizes can be redeemed as shopping vouchers, with a cap value of 100 BRL for each prize. Opera’s exciting campaign offers Brazilians the chance to win shopping vouchers from the popular marketplace Shopee, which they can then use to purchase their favorite items on the platform. Whether it’s finding the right gift for Mother’s Day, diving into this season’s Campeonato Serie A with a new jersey, or buying anything else that might catch the fancy, the vouchers can make users’ online shopping experience even more enjoyable.The “Shake and Win” campaign is available for users of Opera for Android, a powerful and secure mobile browser that enables users to explore the web with blazing speed and safety. The company’s flagship platform for mobile boasts a range of user-friendly features such as free VPN and VPN Pro services, a native crypto wallet, and a built-in ad-blocker – making it the perfect browser for those who seek a seamless and secure browsing experience. And for football fans, Opera’s Live Scores feature allows users to follow the latest scores and statistics from their favorite teams and leagues, so they can stay right on top

Serail (1782), and Die Zauberflöte (1791) were an important breakthrough in achieving international recognition for German opera. The tradition was developed further in the nineteenth century by Beethoven with his Fidelio, inspired by the climate of the French Revolution. Carl Maria von Weber established German Romantic opera in opposition to the dominance of Italian bel canto. His Der Freischütz (1821) shows his genius for creating a supernatural atmosphere. Other opera composers of the time include Marschner, Schubert, and Lortzing, but the most significant figure was undoubtedly Wagner.Wagner was one of the most revolutionary and controversial composers in musical history. Starting under the influence of Weber and Meyerbeer, he gradually evolved a new concept of opera as a Gesamtkunstwerk (a “complete work of art”), a fusion of music, poetry and painting. He greatly increased the role and power of the orchestra, creating scores with a complex web of leitmotifs, recurring themes often associated with the characters and concepts of the drama, of which prototypes can be heard in his earlier operas such as Der fliegende Holländer, Tannhäuser and Lohengrin; and he was prepared to violate accepted musical conventions, such as tonality, in his quest for greater expressivity. In his mature music dramas, Tristan und Isolde, Die Meistersinger von Nürnberg, Der Ring des Nibelungen and Parsifal, he abolished the distinction between aria and recitative in favor of a seamless flow of “endless melody.” Wagner also brought a new philosophical dimension to opera in his works, which were usually based on stories from Germanic or Arthurian legend. Finally, Wagner built his own opera house at Bayreuth with part of the patronage from Ludwig II of Bavaria, exclusively dedicated to performing his own works in the style he wanted.Brünnhilde throws herself onto Siegfried’s funeral pyre in Wagner’s GötterdämmerungOpera would never be the same after