Auto tuned voices

In timbre to extremely lively textures with a wide stereo image.As one of the most commonly used guitar and studio effects, various implementations of the chorus have found their way into studio rack processors, guitar pedals, and synthesizers. Choral is inspired by synthesizers and studio rack processors from the seventies and early eighties. On these devices, the chorus parameters are hidden. Choral gives you enhanced control with parameters that allow you to customize the effect with minimal effort.Choral features four distinct chorus modes, ranging from the subtle sound of classic studio rack processors to the large ensemble sound of early string synthesizers. The effect is produced by up to three pairs of delays, called Voices. All chorus voices preserve the input signal’s stereo image, but can also be panned to further widen the sound (Width parameter). The internal modulation system affects each voice differently, thus preventing obvious modulation repeats. Further expanding on the original concept of a chorus, the Scatter mode allows you create reverb-like sounds, avoiding the metallic quality that many choruses exhibit with high Feedback settings.Choral contains the following controls:Rate: Adjusts the speed of modulation, from slow pitch changes to fast vibratos. This becomes more pronounced as Amount is increased.Mode: Switches between four chorus modes (Synth, Ensemble, Dimension, Universal), that determine the sound characteristic and modulation behavior.Synth: This mode is inspired by the choruses of polyphonic synthesizers from the late seventies and early eighties. Its sound characteristic is dark and vintage. The modulation behavior is tuned for rich and dispersed sounds.Ensemble: This mode is inspired by the choruses of string synthesizers from the seventies. Its sound characteristic is warm and lush. The modulation behavior is tuned for animated and lively sounds.Dimension: This mode is inspired by the choruses of studio rack processors from the early eighties. Its sound characteristic is bright and transparent. The modulation behavior is tuned for wide and consistent sounds.Universal: This mode is a more generic chorus implementation. Its sound characteristic is clean and modern. The modulation behavior is tuned for a range of sounds from consistent to lively, depending on the number of Voices.Amount: Adjusts the amount of modulation applied to the Delay, altering the delay times of the chorus voices. Due to the configuration of the delays, this also changes the pitch of the chorus voices, creating the typical chorusing effect.Voices: Fades from one to three chorus voices. Increasing the number of chorus voices adds a dense and ensemble-like quality to the sound. The modulation affects the second and third chorus voice differently from the first, resulting in a wider and livelier sound.Delay: Adjusts the delay times of the chorus voices, allowing you to change the spatial depth of the sound. This parameter

The charts for a whopping 13 weeks, proving two voices are better than one? Answer: The Boy Is Mine Question: Usher smooth-talked his way to the top in 1998 with a sultry tune that's perfect for slow dancing under the moonlight. What's the name of this chart-topper? Answer: Nice And Slow Question: Who unleashed the auto-tuned magic with the hit 'Believe,' making us all wonder if fairy dust can fix a broken heart? Answer: Cher Question: Who was the fearless front woman of No Doubt, who had us all whispering along to 'Don't Speak' in 1997? Answer: Gwen Stefani Question: Which catchy group waved their signs and spent five weeks rocking the number one spot with 'The Sign'? Answer: Ace of Base Question: Who teamed up with 2Pac to drop the West Coast anthem 'California Love,' bringing the Cali vibes to the rap scene? Answer: Dr. Dre Question: Which pop princess sang the hauntingly beautiful 'Where The Wild Roses Grow' with Nick Cave in 1995, proving she's got the wild side? Answer: Kylie Minogue Question: Whose unplugged guitar skills lit up 'MTV Unplugged,' securing the number one spot on the Billboard Hot 200 in the 1990s? Answer: Eric Clapton Question: Who threw down the perfect breakup anthem 'Take a Bow,' making every exit a dramatic performance? Answer: Madonna Question: Before Foo Fighters rocked the stage, Dave Grohl was laying down the beats for which legendary '90s grunge band? Answer: Nirvana 1990s Pop Groups Trivia Question: What magical year did Toni

Double: Auto tune or tune the vocals. Maybe to original track mixed with the tuned track together, just copy a ghost track and manipulate. You can even use some stereo expansion or widening. When you do not have enough vocals or background vocals, copy them and double / tune / manipulate. Do not widen at copied tracks for main vocals, but you can widen de background vocals with an stereo expander according to panning laws.Compression: 1176! To make all vocals sit in the mix, we need compression. Mostly compression on vocals can sound loud and hard, it will be fine inside the mix and keeps it upfront. Background choirs can be of many voices, often compressed on a group combined. A fast attack and release, ratio depends on the recording and vocal style. Usually a soft knee compressor. Long attack times for the transients, and release time should be set to the song tempo (shorter then) with little sustain. Vocals now have more presence and charisma, upfront. Start with a ratio of around 4:1 and work upwards for a rockier vocal. Use a fairly fast attack time, release time would normally be around 0.5 sec. A reduction of 12 dB is common for untrained vocalists. Be careful not to over compress, you can always add more later on. A multiband compressor is a good tool for removing unwanted sounds from vocals, use as de-esser for sss sounds, but also for other unwanted frequencies alike pops clicks and some rumble. Also the multibands can be used for different vocal applications. One Band, 0 Hz to 120 Hz, mainly compress for rumble and pops, use a fast attack. Another Band, 3 KHz to 10 KHz, search for de-essing sss sounds. Start with ratio 5:1 to 8:1. Lower the threshold until sss peaks

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