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The Burmese alphabet (Burmese: မြန်မာအက္ခရာ myanma akkha.ya, pronounced [mjəmà ʔɛʔkʰəjà]) is an abugida used for writing Burmese. It is ultimately adapted from a Brahmic script, either the Kadamba or Pallava alphabet of South India. The Burmese alphabet is also used for the liturgical languages of Pali and Sanskrit. In recent decades, other, related alphabets, such as Shan and modern Mon, have been restructured according to the standard of the Burmese alphabet (see Mon–Burmese script.)Burmese is written from left to right and requires no spaces between words, although modern writing usually contains spaces after each clause to enhance readability and to avoid grammar complications. There are several systems of transliteration into the Latin alphabet; for this article, the MLC Transcription System is used.HistoryA Pali manuscript of the Buddhist text Mahaniddesa showing three different styles of the Burmese alphabet, (top) medium square, (centre) round and (bottom) outline round in red lacquer from the inside of one of the gilded coversThe Burmese alphabet was derived from the Pyu script, the Old Mon script, or directly from a South Indian script,[3] either the Kadamba or Pallava alphabet.[1] The earliest evidence of the Burmese alphabet is dated to 1035, while a casting made in the 18th century of an old stone inscription points to 984.[1] Burmese calligraphy originally followed a square format but the cursive format took hold from the 17th century when popular writing led to the wider use of palm leaves and folded paper known as parabaiks.[4] A stylus would rip these leaves when making straight lines.[4] The alphabet has undergone considerable modification to suit the evolving phonology of the Burmese language.ArrangementAs with other Brahmic scripts, the Burmese alphabet is arranged into groups of five letters for stop consonants called wek (ဝဂ်, from Pali vagga) based on articulation. Within each group, the first letter is tenuis ("plain"), the second is the aspirated homologue, the third and fourth are the voiced homologues and the fifth is the nasal homologue. This is true of the first twenty-five letters in the Burmese alphabet, which are called grouped together as wek byi (ဝဂ်ဗျည်း, from Pali vagga byañjana). The remaining eight letters (⟨ယ⟩, ⟨ရ⟩, ⟨လ⟩, ⟨ဝ⟩, ⟨သ⟩, ⟨ဟ⟩, ⟨ဠ⟩, ⟨အ⟩) are grouped together as a wek (အဝဂ်, literal translation"}]],"parts":[{"template":{"target":{"wt":"Lit","href":"./Template:Lit"},"params":{"1":{"wt":"without group"}},"i":0}}]}">lit. 'without group'), as they are not arranged in any particular pattern.LettersA letter is a consonant or consonant cluster that occurs before the vowel of a syllable. The Burmese alphabet has 33 letters to indicate the initial consonant of a syllable and four diacritics to indicate additional consonants in the onset. Like other abugidas, including the other members of the Brahmic family, vowels are indicated in Burmese alphabet by diacritics, which are placed above, below, before or after the consonant character. A consonant character with no vowel diacritic has the inherent vowel [a̰] (often reduced to [ə] when another syllable follows in the same word).The following table provides the letter, the syllable onset in IPA and the way the letter is referred to in Burmese, which may be either

Just simple and she was trying to get by on a daily basis. She's not sentimental about her pain. I had to have the same kind of attitude.[2014: Academy Award acceptance speech, closing remarks] When I look down at this golden statue, may it remind every child that no matter where you are from, your dreams are valid.I got teased and taunted about my skin. My one prayer to God was that I would wake up lighter skinned. The morning would come and I would be so excited about seeing my new skin that I would refuse to look down at myself until I was in front of the mirror because I wanted to see my face first. Every day I would feel the disappointment of being just as dark as the day before.[on supermodel Alek Wek] She was dark as night and was in all the magazines and on runways. My complexion had always been an obstacle to overcome. I couldn't believe that people were embracing a woman who looked so much like me as beautiful. It was perplexing and I wanted to reject it because I had begun to enjoy the seduction of inadequacy. But a flower couldn't help but bloom inside of me.Learn more about contributingEdit pageMore from this personView agent, publicist, legal and company contact details on IMDbPro